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Guatemalan postcards entered the era of chromes thanks to a woman photographer and Lito. B. Zadik & Co. As machinery for improved processing and offset printing for Kodachrome film became available throughout North and Central America, the public reacted enthusiastically to the new offerings of postcards printed in full, natural color. Several photographers are credited on the backs of Zadik postcards -- Helen Williams, Joya Heirs, George Holton, Rafael Ortiz, Guillermo Rosenbaum, Julio Zadik, and Pablo Sittler. (Sittler's individual work is a separate page in this web site.)
The National Geographic Magazine revisited Guatemala in its October 1947 issue, which includes a photo credit for a Kodachrome by Helen S. Williams. Among the first color cards Zadik printed were Kodachromes by Helen Williams. These appear to be the first instances of work being credited to a woman photographer not only on Guatemalan but also on Mexican postcards.
Lake Atitlán
Fiesta day Santiago de Atitlán
Most all of the postcards published by Lito. B. Zadik y Cía. are credited to Julio Zadik. Besides providing views for the tourist trade, Zadik carried on the grand tradition of Guatemalan portraiture. The postcard backs are sometimes in English and sometimes in Spanish. Sometimes the image on the front is precisely identified, and sometimes not. The latest known postmark is 1978. The writer mentions going through the area devastated by earthquakes in February 1976, and she adds, "They have pretty things here." Another writer tells that she taught English in the former San Carlos Hotel (see below).
Puente Belice
Lounge deSan Carlos Gran Hotel
Garden HotelCasa Contenta Panajachel
Hotel Tzanjuyú
Orillas del Lago de Atitlán, Panajachel
Indian Woman
Pottery Carrier
Mercado de Chichicastenango,
El Quiché
Indígenas de Chichicastenango,
El Quiché
Tipo Indígena de Chichicastenango
Indian Woman Chichicastenango
Native Woman Chichicastenango
Indian Girl Sololá
Indian Girl
Indian Girl
Indian Girls
Patzum
Indian Women
San Juan Sacatapéquez
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